By Will McGuirk

South Oshawa based FRÈRE DU NORD is going even more Nord, bringing manufacturing back to the motor city’s core

The clothing company, co-founded by Milena Holmes (soeur du Nord?) and her brother, Duey Vlajic, will be moving in the Spring to new digs in the city's downtown.

Milena and Duey have been successfully designing, patterning and making clothing for two years but see the move to the core as a way of pursuing the retail side of the business.

Originally from Kingston, the D.I.Y. duo say it was only in Oshawa they could realise their childhood dream of fashioning clothes together. Milena has an engineering background and Duey’s is in fine arts and design, both were in Toronto but it was in Oshawa where they first entertained the idea of actually making stuff in Canada, in Oshawa it became possible.

“I didn’t realise you could manufacture in Canada until I moved to Oshawa,” says Milena. “Growing up in Kingston, that city is very particular; hospital, prison, university. . . Toronto, the rent’s are so high, its unsustainable and it wasn’t until we came here that I was exposed to people who are very happy to make things. That’s the culture here.

L-R: Duey Vlajic and Milena Holmes. Photo by Katie Mutton

Oshawa has been a centre of manufacturing since its beginnings, It hasn’t all been GM however; it was once known as the Manchester of North America because of the many industries located here. Most of the large manufacturing businesses have closed but the history, the culture of making, as well as the infrastructure of industrial parks and old buildings, is attractive to a new generation of makers.

These two Gen DIY reps are making it their business to makeover the downtown too. They have purchased the former Corner Pocket building at Prince and Bond with plans to open a retail/ manufacturing space, apartments above and artists studios in the basement.

We live in this community, we have to invest in it, there is no other reason,” says Milena. Made in Oshawa being part of the brand is very important because of its manufacturing history. We are new here but we want to continue that tradition. We are here and the downtown needs a lot of help. Businesses have a done a lot of good things in past years and this is our part. We have friends already in business downtown and every year we just need more people to invest.”

Downtown barber shop Johnny Cuts were among the first friends to seek out the company to collaborate on a limited edition customised sweatshirt.

“We do a lot of custom work for our customers and we have clients who are repeat. Once we have your sizing on file it’s easy to print and run off. Designer, patternmaker, manufacturer and retailer that’s our strength,” says Milena

Sweatshirts, sweatpants and hoodies are their focus products as the fabric is one they can find easily and locally. Thread is from Montreal, the dying of material done in Ajax. The heavyweight 100% cotton fabric is knitted in Toronto, napped on the inside, sueded on the outside. Everything but the heavy duty hoodie zipper (only available from China) is sourced in Canada.

“And the way Duey designed it,” says Milena, “it has doublined shoulders, double lined hood, for warmth and structure. Everything is topstitched so they are very durable. The idea is this is a hoodie you are going to pass on your kids because it’s going to last.

“When I design I use a 5 F principle, which is fabric, fit, form, function, future,” says Duey. "Fabric is number one, it’s the first thing you do, touch that garment. We sourced the best possible fabric we could. Next is Fit - you try it on and you see how it feels on you. We usually going for a tailored fit similar that you would find in suits or trousers. After that you look in the mirror; Form - does it look good on me? Depending on the style the form changes but I usually go for a broader shoulder. Function, what do I need this garment to do? When and where am I wearing it? Everyone has a cell phone, so many of the garments have cell phone pockets. Some garments are double layered for warmth and most pockets are lined for comfort. When you combine all these design principles it would hopefully lead you to think about the garment in the long term and what does the Future hold; I’m going to have this for the rest of my life."

The personal care in each garment carries through to the personal care FRÈRE DU NORD has for its employees. FDN is not your grandfather’s factory, instead it’s more like a quilting bee.

“Every garment is made by one person start to finish,” says Milena, “It’s not good for a sewing operator to be sitting at a machine eight hours a day doing one repetitive motion. It’s one of the reasons we wanted to get into this, as well as loving to make clothes we love giving people a safe happy environment to do meaningful work in. It’s very rewarding to do this and a lot of employees in this trade are women so its rewarding for me to provide a safe place and fair pay.”

The company has hired three part-time seamstresses but from Aug to December its full-time. FDN also provides a cut and sew service with many Toronto brands coming in for brand development. They also provide short runs for other start-ups.

“Besides making our own brand of clothing which we are very passionate about we are also very passionate about enabling others to make their own brand with world standard quality. We don’t see them as competition. We think it a very important thing to have a rich diverse selection of Canadian made clothing,” Milena says.

Non-competitive, collaborative, considerate, kindness in commerce, sounds as close to being all Canadian as you can get.

By Paul Love
Guest Writer

The importance of memory, and how it shapes people’s perspectives has been a popular topic in cinema and theatre, as evidenced in films like Memento, Inception, and Rashomon, as well as plays such as Samuel Beckett’s "Waiting for Godot", and Tennessee Williams’ "The Glass Menagerie". Enter Sharr White, whose play "The Other Place" premiered at the Lucille Lortel Theatre in New York in 2011, and is currently being performed by Durham Shoestring Performers at the Arts Resource Centre in Oshawa.

Juliana Smithton is a brilliant neurologist in her early 50s who has changed from working in the lab to working the speech circuit in an attempt to drum up interest in a new medication. And her life is in turmoil — her husband is leaving her and she is struggling in her attempts to reconcile with her estranged daughter. The play opens with her recounting to the audience a touchstone moment in her life, which happened during one of her sales pitches at a neurological convention.

As the play progresses, Juliana takes the audience on a trip through her memories — from the convention speech to conversations with Juliana’s husband, Ian, and Juliana’s doctor, Dr. Teller, as well as phone conversations with Juliana’s daughter, Laurel, and back to the convention. Juliana speaks of difficulties with her health, fearing that she has a brain tumor. She also talks of her attempts to reconcile with Laurel, who ran away from home in her teens with an older man, and speaks fondly of her family’s former summer home in Cape Cod, the titular “other place”.

Ross Libbey is great as Ian, portraying a husband who tenderly struggles to support his wife, despite her outbursts and hurtful comments. He desperately tries to walk the tightrope of maintaining a happy relationship with his wife, while also trying to help her understand the cold reality of her situation. Mr. Libbey’s frustration and grave concern are felt so powerfully in a wonderfully nuanced performance.

Lyndsay Hamilton meets the challenge of tackling the three roles of Dr. Teller, Laurel, and a woman who Juliana meets unexpectedly — this last character being the strongest part of Ms. Hamilton’s performance, where she creates a great sense of confusion, fear, and I’ve-had-the-worst-day exasperation in her portrayal. Jesse Korneiew makes the most of his brief time on stage, adeptly playing a nurse and Juliana’s research assistant, Richard.

Even with great performances from the supporting cast, the success of this show rests in the hands of the actor who portrays Juliana — and thank goodness those hands belong to Nancy Gleed. With her powerhouse performance, Ms. Gleed gives us a Juliana who immediately pulls us in with a confident, conspiratorial vibe that gets the audience to root for her almost immediately. We see a Juliana who speaks in confident, clipped tones that effectively suggest a confidence built up on very unsteady ground. We see a Juliana who becomes sarcastic and dismissive when anyone challenges her, becoming all the more acidic if these challenges persist. We see a Juliana who is awkwardly and desperately attempting to share a positive moment with her estranged daughter. And we see a Juliana who is tired and scared, helpless to fight against the chaos and confusion of her collapsing life.

Director Phil Ireland creates a wonderful sense of fluidity with the blocking he has chosen for this show: we get a sense of parts of the set representing different locations in Juliana’s memory — her home, the stage at the convention, the doctor’s office — and Juliana wanders through them as her mind does. There are even moments where she weaves herself around other characters — even when speaking with them on the phone — giving those moments a sense of memory-like surrealism.

THE OTHER PLACE is at times funny, emotional, heart-wrenching, and poignant. Do yourself a favour and go see this great Durham Shoestring production, being performed at the Arts Resource Centre in Oshawa. Remaining performances are January 24, 25, 26, and 27.

Make it sew! FRÈRE Du NORD clothing company is bringing manufacturing back to Downtown Oshawa

The Other Place is at Durham Shoestring Performers